It’s this clean dialog that makes working with AudioSnap 2 lovely.Įasier-to-edit audio. As much as I love Ableton Live for sound design and live performance, I find myself returning to something like SONAR for arrangement. But if you like the feeling of a packed studio, a tool like SONAR can be terrific. There are positives and negatives to the approach – it’s the reason some readers of this site return to software on game machines that has more in common with early Amiga software. Given a choice between taking something out and putting something in, it puts the thing in. SONAR is really a “DAW” in the traditional sense. Those are the kind of treats we like in these parts. Here’s a DAW that’s adding unusual new features for arranging tracks, putting an integrated arpeggiator on every track, beefing up its step sequencer (really), and dumping a bunch of class LinnDrum samples into the package. But I think the surprise is some of the stuff that won’t necessarily appeal to the widest audio production audience. There’s an enormous amount of functionality in this release. SONAR 8.5, I’m sure at some point, was to be SONAR 9. SONAR’s AudioSnap now has cleaner markers, and an understandable interface – and does quite a few things Logic 9’s new Flex Time does not.
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